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"Yes; since I am here I should like to see the ship," answered Lucy.,

"It sure is heavy," agreed Billy. "I saw another sure sign over there in the ponds that says it's goin' to be a hard winter, one I've never knowed to fail. It was the mushrat houses. The rats are throwin' 'em up mighty big an' thick.",

Mr Lawrence came from the ship's side, and said: "Pray continue your walk. I have something of importance to communicate to you," and he looked down into Mr Eagle's face with a curiously mingled expression of contempt, haughtiness and superiority. "It is not customary, I believe," he said, "in the Merchant Service for shipmasters to take their mates into their confidence. It is necessary, however, that I should communicate one or two facts to you in connection with this voyage. I presume you are not aware that Miss Lucy Acton is on board this ship?",

Mr Lawrence led the way below.

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The scene of the quay-side was gay and indeed festive. The few ships had hoisted colours in celebration of the Aurora's arrival, and the large flags of those days streaming from mast-head and gaff-end and ensign-staff and jack-staff combined with the brilliant blue of the sky, the light and lovely greenery of spring that clothed the ravine's slopes, the sober hue of the cliffs, the white shape of the squab lighthouse past which some gulls[Pg 90] were wheeling, the chocolate tint of the revolving windmill, the sober grey of the houses and the diamond sparkle of the river with its softened reflection of bridge and banks streaming into its heart in dreamlike shadow of what was mirrored: this combination, I say, coupled with the motions and colours of human life on the quay-side, albeit the beer hour had struck and the picture owed nothing of animation to the workmen, fascinated the eye with the calm, the freshness, and the glory of a little English sea-piece, Sabbath-like in repose, lighted by the sun of April beaming in a perfectly fair heaven.,

"But suppose that fellow Paul had not met you?" said Captain Acton.,

But here he found another little hope; some squalls of wet, one very heavy, had set the kennels running shortly after he had met Mr Greyquill, and if that letter had lain exposed to those three or four deluges, it not only stood to be changed into a mere rag to the eye which none would dream of even glancing at, but the writing must have been washed out to a degree to render the sense of the letter unintelligible. He considered that it was not above two or three hours when that letter was in his pocket, and that it must have fallen somewhere betwixt his father's house and the Minorca in that time, for he had taken the same road to and fro. He reflected that that road was but little used compared with the lane that led to the bridge where the Actons' carriage had stopped. Understanding as a sailor the preciousness of time, and conceiving that if the letter had by some strange mischance fallen during his walk unobserved by him it might still rest in the spot where it had dropped, insomuch that chance—for the fellow was a gambler at heart—might concede him yet an hour, even two hours, in which to find it, he put on his hat and marched out of[Pg 153] the house, just saying to his father in the window that he had an appointment and should miss it if he didn't hasten, and then stepped out, casting as he went to right and left of his path eyes as piercingly scrutinising as those which the madman darts when he seeks for the philosopher's stone.,

Mr Lawrence made a step and quickly picked up the knife and drew back again, conscious that the fixed gaze will often awake a slumberer even from deep repose. He stood close to the door viewing this picture of a sleeping girl in a ship's little cabin irradiated by a dim light, whose motions, with the rolling and the pitching of the ship, filled the darkling interior with a hundred dancing spectres. His marine ear would take no heed of the voices of the ship in that cabin, the groans and murmurs, the low whistlings and rusty strainings. This was a concert which his seasoned sense of hearing must miss or overlook in his perception of the picture he viewed.